Publications

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On Sense-making, Groove, and Choice in Experimental Improvised Music

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Real-time Norms: Grooves, Drones, and Sense-making in Experimental Improvised Music

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Composing with (Improvising) People: A Paramanifesto

Mapping Participation: Lawrence Halprin’s RSVP Cycles meets Richard Barrett’s fOKT

PDF

Encounter between Christopher Williams and Jean-Charles François

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Lessons from the Sandbox: Linking Readership, Representation and Reflection in Tactile Paths

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Marketing sonic thinking with creative visualization: getting decision-makers to listen

PDF

Say No Score: a Lexical Improvisation after Bob Ostertag

PDF DOI

Anarchiving (in) Ben Patterson's Variations for Double-Bass

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Treatise, comment et pourquoi : un court exposé empirique

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Certain Sundays: Altmodische Gastfreundschaft, neumodische Überblendung der Kunstschärfe und soziale Erfahrung

Project

Book Review: Experimental Music since 1970

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Tactile Paths: on and through notation for improvisers

Project Project Dissertation On the Making of...

Three Performances: A Virtual (Musical) Improvisation

Where You End and I Begin: cognition and continuity in experimental music and dance

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Situating Notation for Improvisors

Book Review: echtzeitmusik: selbstbestimmung einer szene

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Concert Review: mínim

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KIVA (no colon)

On the Piano Music of Ben Carson: A Correspondence of Essays