A Musik (2019-). Flexible duration.
[Paper tool for playing or composing with people]
Das Ewige Aufwärmen (2018).
[Artist book of exercises for cello, mind, and body]
• With photos by Holly M. Gilbert & preparations by Scott Mc Laughlin.
On Perpetual (Musical) Peace? (2018-). 1:00:00.
[Large improvising ensemble]
Ansage etc. for David Moss (2018). 22:00.
[Solo vocalist/performer and electronics]
Thank You For Coming To The Concert. It Was, Or Is, A Pleasure To Sing For You (2018). 2:00.
[SATB chamber choir with Thunder Tubes].
Bicycle Built for (x) (2016). Flexible duration.
[Kit for variable number of dancers, musicians, and performers]
• Collaboration with Jadi Carboni.
Groundwave Rondo (Magnetic Traveling) (2016). 19:57.
[Radio piece: Electromagnetic-, AM Radio-, and field recordings with studio-recorded contrabass]
• Collaboration with Christina Kubisch.
• Commissioned by Czech National Radio.
A Treatise Remix (2015). 46:24.
[Radio piece after Cornelius Cardew’s graphic score Treatise]
• Commissioned by Deutchlandfunk Kultur – Klangkunst.
Seeing the Full Sounding: Christopher Williams explores two pieces by Malcolm Goldstein (2014). 30:44.
[Documentary film]
• Directed by and co-produced with Zachary Kerschberg.
What Hole Is This? (2013). 15:00.
[Scene for four performers]
• Commissioned by Maulwerker.
• Developed with Sebastian Dacey.
Water Music (2013). 10:00
[Solo contrabass and metronome]
PATCHES (2012-13). 60:00.
[3-6 dancers und 1-3 improvising musicians]
• Collaboration with dancers Martin Sonderkamp, Siri Jøntvedt, Gry Bech-Hansson, and Gry Kipperberg.
Berlin Quelque Part (2012). 40:00.
[Video, field recordings, analog synthesizer, cb. clarinet, contrabass]
• Collaboration with Compagnie Ouie/Dire and contrabass clarinettist Chris Heenan.
Arcanum 17 (2012). 45:00.
[Microtonal Tuba, contrabass, field recordings, and 8.1-channel electronics]
• Collaboration with Charlie Morrow for the duo Reidemeister Move.
• Texts after André Breton.
Wherefore do you, so oft, so oft (2012). 12:00
[Solo singing contrabassist]
• After a song by John Dowland.
To Anacreon (2011 / 2019). 12:00.
[Solo trombone, optional horn and microtonal tuba]
Groundwave Rondo (2010). 15:00.
[Solo contrabass and site-specific tape]
Ràdio Mòvum – Caldes (2009).
[Public radio-installation in the Roman baths at Caldes de Montbuí] • For the Mostra Internacional d’Art Urbà de Caldes de Montbuí.
Rough Music, Cencerro, and Katzenmusik (2009). 10:00.
[Solo speaker und protest-choir]
Profiad (2009). 20:00.
[Solo contrabass]
Diferencias Familiares sobre las Cuerdas (2008). 24:00.
[Solo guitar, tape, and und electronics]
• Dedicated to Ferran Fages.
The Hispaniola: a webradio play for flutist (2008). 52:00.
[Flute, electronics, and live FM radio broadcast] • Developed with flutist Barbara Held. • Texts by Robert Louis Stevenson.
Apples Are Basic (2007). 14:00.
[Viola und contrabass] • Dedicated to Mary Oliver und Rozemarie Heggen. • After images by Sister Corita Kent.
The English Dancing Master leads: or, Mr. Bailey’s Maggot (2006). 8:00.
[Flute, english horn, bassoon, trumpet, percussion, and violin] • Collaboration with visual artist Tanja Smit. • Dedicated to ensemble chronophonie.
¡Okupa! ¿Resiste? (2004). 15:00.
[Flute/ piccolo, Bb/ bass clarinet, and piano AND/OR recorder quartet] • Dedicated to qng Recorder Quartet and trigger ensemble.
Lyrical Variations On(to) the Authority of the Ear (2003). 5:00.
[4 bassoons und toy pianos] • Commissioned by the Short Attention Span concert series, Geisel Library, University of California San Diego.
Molto Bardo (in memoriam Kenneth Gaburo) (2003). 3:00.
[Solo contrabass]
Without Loss of Generality (2002). 9:00.
[Guitar and percussion]
• Dedicated to NOISE Ensemble.
28 private pages for piano Three-Hands (2001-2). 30:00.
[Piano three-hands] • Dedicated to John-Mark Harris.
Gnot (2001). 25:00.
[Piccolo-, sopranino-, soprano-, alto-, tenor-, bass-, contrabass-, and sub-contrabass-violins constructed by Carleen Hutchins]
• Dedicated to the Hutchins Consort.
Loading Variations (2000). 1:00
[Unpitched sounds] • Dedicated to Tucker Dulin.
One Member of One System Being Transplanted to Another, and What Happens (1999). 7:00.
[Electronic carillon]
• Commissioned by Scott Paulson and the University of California, San Diego library.
