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    <title>Posts on Christopher A. Williams</title>
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    <description>Recent content in Posts on Christopher A. Williams</description>
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    <copyright>&amp;copy; Christopher A. Williams, 2019-2026</copyright>
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      <title>Notes on Workflow and Tools in the Construction of Tactile Paths</title>
      <link>http://www.christopherisnow.com/post/tp-workflow/</link>
      <pubDate>Sun, 17 Feb 2019 14:50:56 +0100</pubDate>
      
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      <description>This document offers a look at the workflow and digital tools I used to produce the native digital PhD dissertation in artistic research entitled &amp;ldquo;Tactile Paths: on and through Notation for Improvisers&amp;rdquo; (henceforth TP). It is an appendix to &amp;ldquo;Lessons from the Sandbox: Linking Readership, Representation, and Reflection in Tactile Paths&amp;rdquo;, forthcoming in a volume on digital dissertations edited by Virginia Kuhn and Kathie Gossett.
In the above video, I discuss some ideas from &amp;ldquo;Lessons from the Sandbox&amp;rdquo; and some ideas from this text.</description>
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      <title>Press</title>
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      <pubDate>Fri, 25 Jan 2019 12:41:11 +0100</pubDate>
      
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      <description>&amp;hellip; entrancing
 - Mark Swed, LA Times, on Williams&#39; and Charlie Morrow&#39;s Arcanum 17   &amp;hellip; this enormous instrument&amp;hellip; these impossible sounds&amp;hellip; yes a dream, a most surprising dream, and also, I must say&amp;hellip; a blast.
 - Salvador Giralt, Núvol. Diari digital de cultura.   Music as a source of power donated by humanity: this is what Niko Meinhold and Christopher Williams translate in an idiosyncratic game of sounds, gestures, and sometimes also words.</description>
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      <title>Works List</title>
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      <pubDate>Fri, 25 Jan 2019 12:41:06 +0100</pubDate>
      
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      <description>A Musik (2019-). Flexible duration. [Paper tool for playing or composing with people]
Das Ewige Aufwärmen (2018). [Artist book of exercises for cello, mind, and body]
• With photos by Holly M. Gilbert &amp;amp; preparations by Scott Mc Laughlin.
On Perpetual (Musical) Peace? (2018-). 1:00:00. [Large improvising ensemble]
Ansage etc. for David Moss (2018). 22:00. [Solo vocalist/performer and electronics]
Thank You For Coming To The Concert. It Was, Or Is, A Pleasure To Sing For You (2018).</description>
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