Assorted Artistic Research

In addition to my PhD project at the University of Leiden, I write about other aspects of experimental music and musicking.

Follow me on Academia.edu to read some of the following publications and more.

  • “Where You End and I Begin: cognition and continuity in experimental improvised music and dance” (with Martin Sonderkamp). In: Critical Studies in Improvisation/ Études critiques en improvisation Vol 8, No 2 (2012). http://www.criticalimprov.com/article/view/2144/2945.
  • “Situating Notation for Improvisors”. In: (re)thinking improvisation: Artistic explorations and conceptual writing, ed. Frisk, Henrik and Stefan Ostersejö. Malmö: Lund University Press, 2013.
  • Book Review: echtzeitmusik: selbstbestimmung einer szene. In: Critical Studies in Improvisation, Vol. 7, No. 2 (2011). http://www.criticalimprov.com/article/view/1702/2334
  • Concert Review: mínim. In: The Improvisor, Summer 2004. http://www.the-improvisor.com.
  • “KIVA (no colon)”. In: Open Space Magazine, no. 6. Red Hook, NY, 2004. pp. 204-217.
  • “On the Piano Music of Ben Carson: A Correspondence of Essays“ (with Benjamin Carson). In: Open Space Magazine, no. 5. Red Hook, NY, 2002. pp. 231-250.